Figure in the shadows – NFT
$140.00
Why does Leonardo da Vinci continue to have such a hold on our imaginations? Perhaps part of his attraction is that he seems to perfectly exemplify the popular notion of the Renaissance Man. How extraordinary, we think, that he was an inventor, a portrait painter, an anatomist and a botanist, artist and scientist. At least two things are wrong with this notion. One, he was not alone in his multifaceted abilities; it was more common for an artist of his time to undertake at least two or three of these endeavors than it was to specialize in one. But just as important, art and science during the Renaissance were not separated by the chasm that they are now. “A Portrait of the Artist as a Shadow of His Former Self,” Kerry James Marshall . The two most common lighting conditions when painting outside are direct sunlight and a cloudy sky and both influence the qualities of the cast shadow edge. Direct sunlight gives us a hard light source that creates clearly visible shadows and produces a hard crisp edge to the cast shadows. A cloudy sky gives us a soft light source which gives much subtler shadows with soft blurry edges.
Why does Leonardo da Vinci continue to have such a hold on our imaginations? Perhaps part of his attraction is that he seems to perfectly exemplify the popular notion of the Renaissance Man. How extraordinary, we think, that he was an inventor, a portrait painter, an anatomist and a botanist, artist and scientist. At least two things are wrong with this notion. One, he was not alone in his multifaceted abilities; it was more common for an artist of his time to undertake at least two or three of these endeavors than it was to specialize in one. But just as important, art and science during the Renaissance were not separated by the chasm that they are now. “A Portrait of the Artist as a Shadow of His Former Self,” Kerry James Marshall . The two most common lighting conditions when painting outside are direct sunlight and a cloudy sky and both influence the qualities of the cast shadow edge. Direct sunlight gives us a hard light source that creates clearly visible shadows and produces a hard crisp edge to the cast shadows. A cloudy sky gives us a soft light source which gives much subtler shadows with soft blurry edges.
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| Settings | Figure in the shadows - NFT remove | Texture - NFT remove | Texture Art - NFT remove | Anime NFT - 1 remove | Flexibility - NFT remove | Abstract Silhouette - NFT remove |
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| Name | Figure in the shadows - NFT remove | Texture - NFT remove | Texture Art - NFT remove | Anime NFT - 1 remove | Flexibility - NFT remove | Abstract Silhouette - NFT remove |
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| Price | $140.00 | $140.00 | $141.00 | $150.00 | $141.00 | $152.00 |
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| Description | Why does Leonardo da Vinci continue to have such a hold on our imaginations? Perhaps part of his attraction is that he seems to perfectly exemplify the popular notion of the Renaissance Man. How extraordinary, we think, that he was an inventor, a portrait painter, an anatomist and a botanist, artist and scientist. At least two things are wrong with this notion. One, he was not alone in his multifaceted abilities; it was more common for an artist of his time to undertake at least two or three of these endeavors than it was to specialize in one. But just as important, art and science during the Renaissance were not separated by the chasm that they are now. “A Portrait of the Artist as a Shadow of His Former Self,” Kerry James Marshall . The two most common lighting conditions when painting outside are direct sunlight and a cloudy sky and both influence the qualities of the cast shadow edge. Direct sunlight gives us a hard light source that creates clearly visible shadows and produces a hard crisp edge to the cast shadows. A cloudy sky gives us a soft light source which gives much subtler shadows with soft blurry edges. | Texture in painting refers to the look and feel of the canvas. It is based on the paint, and its application, or the addition of materials such as ribbon, metal, wood, lace, leather and sand. The concept of "painterliness" also has bearing on texture. The texture stimulates two different senses: sight and touch. Actual texture is a combination of how the painting looks, and how it feels on being touched. It is associated both with the heavy buildup of paint, such as an impasto effect, or the addition of materials. Many artists around the world use different items and materials to create actual texture in their pieces, some create textured pieces to be touched and experienced, such as MD Weems. MD Weems uses homemade gesso to sculpt texture into her artwork. His textured artwork is then painted and sealed so that viewers can physically touch the artwork. The ability to touch the texture evokes multiple senses through sight and touch and allows for a deeper emotional feel. Textures Some textures include: rough, hard, liquid, solid, wet, bumpy, fuzzy, sticky, dusty, sharp, rough, gritty, soft, and lumpy. | About the paint: an acrylic paint that has been milled to have the body and texture of fine oils. Intensely pigmented, these colors are extraordinarily light fast and completely resistant to aging. This combined with mixed media and texture painting techniques make a wonderful piece of art for any collection. Entire painting is sealed twice for protection and a light shine. Guaranteed not to shrink, oxidize, yellow, or crack. Sand/Mud Sand mixed with paint gives a grainy feel and can be great for beach scenes and middle-ground areas as it creates a fairly subtle texture. Mud is lumpier and when mixed with paint or glue, creates thick areas of texture. I like mud because it is unpredictable – you can’t be too precise with it. Using materials you have collected from places you’ve visited gives paintings a direct connection with that place and with nature. Make sure to apply a layer or two of sealant (gesso or acrylic primer) over the sand or mud before you start your painting. | ArtsOrigin Anime ------------------------------------- Unreal motion. Real emotion. Magic connection. Like animation. ---From upcoming ArtsOrigin Book (Art+Poetry) NFT certificate of authenticity Artist name — Zvi Bolimovsk year of completion — 2022 Name — ArtsOrigin Anime Date it of creation — Feb 22 | Move your body before stretching, because you don’t want to start out with cold muscles. You can run laps, do jumping jacks, or even run in place — anything to get your blood pumping and your muscles warmed up. Torso Stretch the stomach with a bridge or backbend. You also need to stretch the sides of the body, either with a side stretch on the floor or from a standing position with arms overhead, leaning over to one side and then the other. | The figure with one leg coming from back to rest on her head, while the other bends forward from the shoulder, appears like a cat on the prowl. Her body is supple and flawless, like beautiful poetry in motion. In its bends, the bottled-up love and desires emote a new musical note, wherever it twines. While she waits there with the unflinching balance of a strong masculine determination, it is difficult to tell a witch from a woman, a painting from a sculpture-the grotesque image wonderfully blurs the lines. Boy! The face is bittersweet yet sensual. And when desires run amok on her face, she appears like beauty personified, a goddess from heaven, waiting in earnest for her man, while at other times, she appears like a witch, ready to pounce on her man. Is it smoke that is rising up from her feet, or her hair, cascading like a waterfall, it is difficult to tell! Set in shades of crimson, the frozen image combines painting, sculpture, bas-relief, and trompe l'oeil, such visuals are rare where influences of Italian cinemas and sci-fi horror novels meet at the same time and successfully transform a realistic image into a beautiful painting. The distorted figure depicts an artist's reflection of hypothetical situations and theatrical settings that ache of a range of emotions and desires which are a mix of sweet, mysterious, ghastly, realistic, sensual, and sublime. |
| Content | Why does Leonardo da Vinci continue to have such a hold on our imaginations? Perhaps part of his attraction is that he seems to perfectly exemplify the popular notion of the Renaissance Man. How extraordinary, we think, that he was an inventor, a portrait painter, an anatomist and a botanist, artist and scientist. At least two things are wrong with this notion. One, he was not alone in his multifaceted abilities; it was more common for an artist of his time to undertake at least two or three of these endeavors than it was to specialize in one. But just as important, art and science during the Renaissance were not separated by the chasm that they are now. “A Portrait of the Artist as a Shadow of His Former Self,” Kerry James Marshall . The two most common lighting conditions when painting outside are direct sunlight and a cloudy sky and both influence the qualities of the cast shadow edge. Direct sunlight gives us a hard light source that creates clearly visible shadows and produces a hard crisp edge to the cast shadows. A cloudy sky gives us a soft light source which gives much subtler shadows with soft blurry edges. | Texture in painting refers to the look and feel of the canvas. It is based on the paint, and its application, or the addition of materials such as ribbon, metal, wood, lace, leather and sand. The concept of "painterliness" also has bearing on texture. The texture stimulates two different senses: sight and touch. Actual texture is a combination of how the painting looks, and how it feels on being touched. It is associated both with the heavy buildup of paint, such as an impasto effect, or the addition of materials. Many artists around the world use different items and materials to create actual texture in their pieces, some create textured pieces to be touched and experienced, such as MD Weems. MD Weems uses homemade gesso to sculpt texture into her artwork. His textured artwork is then painted and sealed so that viewers can physically touch the artwork. The ability to touch the texture evokes multiple senses through sight and touch and allows for a deeper emotional feel. Textures Some textures include: rough, hard, liquid, solid, wet, bumpy, fuzzy, sticky, dusty, sharp, rough, gritty, soft, and lumpy. | About the paint: an acrylic paint that has been milled to have the body and texture of fine oils. Intensely pigmented, these colors are extraordinarily light fast and completely resistant to aging. This combined with mixed media and texture painting techniques make a wonderful piece of art for any collection. Entire painting is sealed twice for protection and a light shine. Guaranteed not to shrink, oxidize, yellow, or crack. Sand/Mud Sand mixed with paint gives a grainy feel and can be great for beach scenes and middle-ground areas as it creates a fairly subtle texture. Mud is lumpier and when mixed with paint or glue, creates thick areas of texture. I like mud because it is unpredictable – you can’t be too precise with it. Using materials you have collected from places you’ve visited gives paintings a direct connection with that place and with nature. Make sure to apply a layer or two of sealant (gesso or acrylic primer) over the sand or mud before you start your painting. | ArtsOrigin Anime ------------------------------------- Unreal motion. Real emotion. Magic connection. Like animation. ---From upcoming ArtsOrigin Book (Art+Poetry) NFT certificate of authenticity Artist name — Zvi Bolimovsk year of completion — 2022 Name — ArtsOrigin Anime Date it of creation — Feb 22 | Move your body before stretching, because you don’t want to start out with cold muscles. You can run laps, do jumping jacks, or even run in place — anything to get your blood pumping and your muscles warmed up. Torso Stretch the stomach with a bridge or backbend. You also need to stretch the sides of the body, either with a side stretch on the floor or from a standing position with arms overhead, leaning over to one side and then the other. | The figure with one leg coming from back to rest on her head, while the other bends forward from the shoulder, appears like a cat on the prowl. Her body is supple and flawless, like beautiful poetry in motion. In its bends, the bottled-up love and desires emote a new musical note, wherever it twines. While she waits there with the unflinching balance of a strong masculine determination, it is difficult to tell a witch from a woman, a painting from a sculpture-the grotesque image wonderfully blurs the lines. Boy! The face is bittersweet yet sensual. And when desires run amok on her face, she appears like beauty personified, a goddess from heaven, waiting in earnest for her man, while at other times, she appears like a witch, ready to pounce on her man. Is it smoke that is rising up from her feet, or her hair, cascading like a waterfall, it is difficult to tell! Set in shades of crimson, the frozen image combines painting, sculpture, bas-relief, and trompe l'oeil, such visuals are rare where influences of Italian cinemas and sci-fi horror novels meet at the same time and successfully transform a realistic image into a beautiful painting. The distorted figure depicts an artist's reflection of hypothetical situations and theatrical settings that ache of a range of emotions and desires which are a mix of sweet, mysterious, ghastly, realistic, sensual, and sublime. |
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