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ArtsOrigin Bliss Man #24

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SettingsArtsOrigin Bliss Man #24 removeAnime NFT - 5 removeAnime NFT - 2 removeSoftly blurred touch - NFT removeTexture Art - NFT removeMid-Century Modern Cityscape Painting - NFT remove
NameArtsOrigin Bliss Man #24 removeAnime NFT - 5 removeAnime NFT - 2 removeSoftly blurred touch - NFT removeTexture Art - NFT removeMid-Century Modern Cityscape Painting - NFT remove
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DescriptionArtsOrigin Anime ------------------------------------- Unreal motion. Real emotion. Magic connection. Like animation. ---From upcoming ArtsOrigin Book (Art+Poetry)   NFT certificate of authenticity Artist name — Zvi Bolimovsk year of completion — 2022 Name — ArtsOrigin Anime Date it of creation — Feb 22ArtsOrigin Anime ------------------------------------- Unreal motion. Real emotion. Magic connection. Like animation. ---From upcoming ArtsOrigin Book (Art+Poetry)   NFT certificate of authenticity Artist name — Zvi Bolimovsk year of completion — 2022 Name — ArtsOrigin Anime Date it of creation — Feb 22The term 'bokeh' comes from the Japanese word, 'boke', which means 'haze' or 'blur'. The word has come to be widely associated with the aesthetic quality of out-of-focus blur in a piece of art. Blurring is a nifty effect in painting. It can make the painted image look as if it's like a fast-motion photograph and imply rapid movement. A computer-generated simulacrum of reflections from the silicon dioxide found in insects' shells. The compound is a prime ingredient of window glass and fibre-optic cable; a semi-conductor, it's also a mainstay of computer chips. The article accompanying the source photo described research being conducted into structural colours – that is, colours that result from surface textures that refract, rather than contain, pigment. What seems, at first glance, an op art abstraction thus turns out, when unpacked, to contain an entire disquisition on the meshing of the "natural" world (insects) with its synthetic reproductions both inherent (shell-reflections) and exterior (scientific visual modelling); on the surfaces through which we look (windows) and vectors along which we relay or broadcast information (cables); on digital technology; and on colour and its spectrum – which, of course, means both on painting and on light itself, the very ground and possibility of vision.About the paint: an acrylic paint that has been milled to have the body and texture of fine oils. Intensely pigmented, these colors are extraordinarily light fast and completely resistant to aging. This combined with mixed media and texture painting techniques make a wonderful piece of art for any collection. Entire painting is sealed twice for protection and a light shine. Guaranteed not to shrink, oxidize, yellow, or crack. Sand/Mud Sand mixed with paint gives a grainy feel and can be great for beach scenes and middle-ground areas as it creates a fairly subtle texture. Mud is lumpier and when mixed with paint or glue, creates thick areas of texture. I like mud because it is unpredictable – you can’t be too precise with it. Using materials you have collected from places you’ve visited gives paintings a direct connection with that place and with nature. Make sure to apply a layer or two of sealant (gesso or acrylic primer) over the sand or mud before you start your painting.Welcome! Presenting mid 20th century modern impressionist New York cityscape, Cityscape painting flourished after World War II, already appearing in the repertory of abstract expressionist painters, for example in “City landscape” by Joan Mitchell (1955, Art Institute of Chicago) or in some audacious pictorial experiments by Willem de Kooning. On the way to abstraction we find the figure of Piet Mondrian, who, after emigrating to the United States, created his original visions of New York City, among them the famous “Broadway Boogie Woogie” (1942-43, New York, MOMA) , which the painter Robert Motherwell described with these words: “The Modern City! Precise, rectangular, squared, whether seen from above, below, or on the side; bright lights and sterilized life; Broadway, whites and blacks; and boogie-woogie; the underground music of the at once resigned and rebellious”.
ContentArtsOrigin Anime ------------------------------------- Unreal motion. Real emotion. Magic connection. Like animation. ---From upcoming ArtsOrigin Book (Art+Poetry)   NFT certificate of authenticity Artist name — Zvi Bolimovsk year of completion — 2022 Name — ArtsOrigin Anime Date it of creation — Feb 22ArtsOrigin Anime ------------------------------------- Unreal motion. Real emotion. Magic connection. Like animation. ---From upcoming ArtsOrigin Book (Art+Poetry)   NFT certificate of authenticity Artist name — Zvi Bolimovsk year of completion — 2022 Name — ArtsOrigin Anime Date it of creation — Feb 22The term 'bokeh' comes from the Japanese word, 'boke', which means 'haze' or 'blur'. The word has come to be widely associated with the aesthetic quality of out-of-focus blur in a piece of art. Blurring is a nifty effect in painting. It can make the painted image look as if it's like a fast-motion photograph and imply rapid movement. A computer-generated simulacrum of reflections from the silicon dioxide found in insects' shells. The compound is a prime ingredient of window glass and fibre-optic cable; a semi-conductor, it's also a mainstay of computer chips. The article accompanying the source photo described research being conducted into structural colours – that is, colours that result from surface textures that refract, rather than contain, pigment. What seems, at first glance, an op art abstraction thus turns out, when unpacked, to contain an entire disquisition on the meshing of the "natural" world (insects) with its synthetic reproductions both inherent (shell-reflections) and exterior (scientific visual modelling); on the surfaces through which we look (windows) and vectors along which we relay or broadcast information (cables); on digital technology; and on colour and its spectrum – which, of course, means both on painting and on light itself, the very ground and possibility of vision.About the paint: an acrylic paint that has been milled to have the body and texture of fine oils. Intensely pigmented, these colors are extraordinarily light fast and completely resistant to aging. This combined with mixed media and texture painting techniques make a wonderful piece of art for any collection. Entire painting is sealed twice for protection and a light shine. Guaranteed not to shrink, oxidize, yellow, or crack. Sand/Mud Sand mixed with paint gives a grainy feel and can be great for beach scenes and middle-ground areas as it creates a fairly subtle texture. Mud is lumpier and when mixed with paint or glue, creates thick areas of texture. I like mud because it is unpredictable – you can’t be too precise with it. Using materials you have collected from places you’ve visited gives paintings a direct connection with that place and with nature. Make sure to apply a layer or two of sealant (gesso or acrylic primer) over the sand or mud before you start your painting.Welcome! Presenting mid 20th century modern impressionist New York cityscape, Cityscape painting flourished after World War II, already appearing in the repertory of abstract expressionist painters, for example in “City landscape” by Joan Mitchell (1955, Art Institute of Chicago) or in some audacious pictorial experiments by Willem de Kooning. On the way to abstraction we find the figure of Piet Mondrian, who, after emigrating to the United States, created his original visions of New York City, among them the famous “Broadway Boogie Woogie” (1942-43, New York, MOMA) , which the painter Robert Motherwell described with these words: “The Modern City! Precise, rectangular, squared, whether seen from above, below, or on the side; bright lights and sterilized life; Broadway, whites and blacks; and boogie-woogie; the underground music of the at once resigned and rebellious”.
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