Category: NFT
Showing 49–64 of 78 results
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The blur is as close as the artist has ever come to a stylistic signature, and it recurs here in seascapes, landscapes, and street scenes. The artist picks up a squeegee and drags it along successive layers of paint, to produce stammering, arrhythmic compositions. The successive building up and wiping away of pigment results in “abstract pictures,” as most are dryly titled, whose hidden depths and lost pasts remain stubbornly inaccessible.
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The Blurred Lines of Impressionism. The hazy scene of Impression, strayed from traditional landscape painting and classic, idealized beauty. The artist meant to express “other beliefs about artistic quality which might be tied to the ideologies being consolidated by the emergent bourgeoisie from which he came. “Loose brush strokes meant to suggest the scene rather than to mimetically represent it demonstrate the emergent Impressionist movement. In the wake of an emergent industrialization in France, this style expressed innovative individuality. Impressionism is taking the visual interpretation, or impression, of a specific moment in time. In art, this is done by emphasizing light, color, and shadow. Instead of painting clear lines, the artist uses blurry brush strokes to blend colors, giving us the feeling of walking through a tunnel of trees, rather than clearly painting a realistic image. He paints an impression and leaves the interpretation up to us.
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It is difficult to establish the beginning of the history of cityscapes, but some early works date back to ancient Rome. The 19th century brought the American cityscape painting with important figures such as Childe Hassam, Robert Henri, Everett Shinn and George Bellows. The peak was reached with Ashcan School when American realist painters focused on painting everyday life in New York City. The avant-garde brought the varied vision of the cityscape, from the works of cubist painters such as Fernand Leger and Robert Delaunay, through works by painters from the School of Paris such as Matisse and Chagall to the paintings on the way to abstraction by Piet Mondrian. Even though cityscapes painting declined in popularity during the 20th century with the rise of abstraction and conceptual art, it inspired some abstract painters like Joan Mitchell and Willem de Kooning. Still, with the revival of figurative art towards the end of the 20th century, cityscape has experienced a renaissance through the works of the painters from the Bay Area Figurative Movement, hyperrealists and street photographers. So let’s take a look at the most impressive cityscapes artworks from the world of contemporary art.
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Simply put, it’s pretty dang cool. They provide a fun and unique aesthetic that can add life to any session. Whether it’s with a room, a band, whatever, the addition of colorful plumes and the subsequent haze they leave can give any shoot an extra kick of interest. However, people should understand that using smoke bombs can potentially pose a few risks. It is paramount that these risks are openly discussed and understood by all parties involved before using them in a shoot. This is especially true if one intends to hold them in their hands. Use our guide to help get you started. Explosions We recommend everyone use cool burning smoke bombs, but due to these risks, but we also understand they are not always available. While it is unlikely that a smoke bomb will explode, it can happen. This is possible when too much moisture gets inside the tube, thus clogging the pathway for the smoke’s expulsion. When this happens, it can cause a smoke bomb to combust. There is a way to tell if your smoke bomb could potentially have this issue. If it fails to emit plumes shortly after the fuse has burnt, this could indicate that there is a clogging issue relating to moisture inside the cylinder. In the event this happens, move away from the smoke bomb and allow it to burn itself out.
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The economy of style and details produced ambiguous figures; neither their facial expression nor their gender is clearly defined. Black silhouettes are simply outlined with heavy contours against the white background. The artist explored the relationship between colors and lines to create harmony; for him, colors weren’t meant to work in isolation. Moreover, there are no architectural features or landscape markers to create a sense of perspective or distance. The painting has a very flat background and the only focus is the dancing figures. The artist only used three colors for depicting this revelry: white, black, and red. In line with Fauvism’s traditional color associations, these three vivid hues create an intense contrast. Red silhouettes are simply outlined with heavy contours against the black and white background. The artist explored the relationship between colors and lines to create harmony; for him, colors weren’t meant to work in isolation. Moreover, there are no architectural features or landscape markers to create a sense of perspective or distance. The art work flat background and the only focus are the dancing figures.
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Among adults, a female sitting on top of another person usually indicates an intimate or romantic relationship between the two, or may be regarded as flirtatious. In public, such behavior may be regarded as a public display of affection. In private, sitting on a man’s or being pulled by the man onto his lap, especially if she straddles his legs or waist, when accompanied with a smile, kiss or other flirtatious gesture, may be regarded as showing either’s interest in sexual activity or as foreplay. It is rare for a man to sit on a woman’s lap, though not for him to lay his head there. The erotic significance in sitting on a top is a factor in the erotic activity in strip clubs such as a lap dance, where one person (usually a woman) straddles the lap of the other and gyrates their lower extremities in a provocative manner.
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Why does Leonardo da Vinci continue to have such a hold on our imaginations? Perhaps part of his attraction is that he seems to perfectly exemplify the popular notion of the Renaissance Man. How extraordinary, we think, that he was an inventor, a portrait painter, an anatomist and a botanist, artist and scientist. At least two things are wrong with this notion. One, he was not alone in his multifaceted abilities; it was more common for an artist of his time to undertake at least two or three of these endeavors than it was to specialize in one. But just as important, art and science during the Renaissance were not separated by the chasm that they are now. “A Portrait of the Artist as a Shadow of His Former Self,” Kerry James Marshall . The two most common lighting conditions when painting outside are direct sunlight and a cloudy sky and both influence the qualities of the cast shadow edge. Direct sunlight gives us a hard light source that creates clearly visible shadows and produces a hard crisp edge to the cast shadows. A cloudy sky gives us a soft light source which gives much subtler shadows with soft blurry edges.
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Move your body before stretching, because you don’t want to start out with cold muscles. You can run laps, do jumping jacks, or even run in place — anything to get your blood pumping and your muscles warmed up. Torso Stretch the stomach with a bridge or backbend. You also need to stretch the sides of the body, either with a side stretch on the floor or from a standing position with arms overhead, leaning over to one side and then the other.
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Appearing like a robot, close on the heels of Mickey Mouse, is seemingly a good hand-held collectible or a lobby-sized sculpture, painted in myriad colors. The graffiti is definitely a sight for sore eyes! Serpentine tentacles, obscure head and half face painted in metallic gray as the other half shines in a riot of myriad silk and fuchsia vinyl paints, it is a piece of abstract art made of metal and perhaps reflects the same misogynist attitude that Chris Cunningham and Alex Twin shared in their video, Windowlicker, reducing the faces of women in white bathing suits into grotesque toothy figures.The artist’s ability lies in the appropriation of a familiar cartoon, which he nips a number of times until he develops his own agnostic piece of art. It is trendy to combine pop with mythologies these days, in an obscure piece of art where two worlds meet. Texted in bubble style, it is like a diary, a collage of film commentary containing background references and links to the source material and fan theories. A vast pool of content is generated out of this blustery sort of interpretation. It’s an utterly sagely sealed cross-referencing maneuver.
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