The appeal of his paintings are in the heart-rousing stories, the artistic choices and also the special technique he employs to bring them each to life. He uses sketches from photographs as source material then creates charcoal drawings over gouache, an opaque watercolor-based paint on paper. There are no prints or image transfers or mechanical devices used; everything is drawn and painted by hand.
So the first thing he does is ad the color and, as an exceptional draftsman, draws on top of and around the color. Then he smudges over the paint with charcoal, followed by a meticulous erasing away of the charcoal to create shadows and reductions and other effects. Some of it looks flat, while other parts look three-dimensional. And as he’s making the work, what you see before you comes to surface entirely by means of free association.
“So everything I make is based on visions I get,” said Quinn. “Initially, I don’t even know what the vision means. But I have a visceral response to make it, based on how I feel, as I’m constantly trying to recreate the vision that came to mind in the first place.”
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