Markus Lüpertz
In 1964, he held his exhibition of the “Dithyrambic Paintings”, term taken from Friedrich Nietzsche. In this paintings, Lüpertz combined the opposites of objectivity and abstraction into a synthesis. Lüpertz sees the picturesque universe shaped by a continuous rhythm to which everything is subordinated. He published his “Dithyrambic Manifesto”, in 1966, followed by a second manifesto titled “The Grace of the Twentieth Century”, in 1968.
From 1969 to 1977, he painted predominantly German motifs, namely symbolic objects such as steel helmets, shovels, flags or monumental antlers in large formats. The paintings were executed in earthy colors and thematized the unmanaged German national pathos, where unfortunate memories of the Third Reich era were evoked. This phase was followed by another one, from 1977 to 1984, based on the abstract painting of the 1950s. His paintings from this period are almost completely free from motives, the play with surface and volume-forming forms and the richness of the picturesque surface are used fruitfully.https://artsorigin.com/wp-content/uploads/2019/08/pexels-photo-1526713-e1631793603649.jpeg
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