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Gliding between digital and physical worlds, Jonathan Chapline finds balance within his ability to harness both contrasting aesthetics within a painting. Utilizing his skills in 2D and 3D mediums he works out ideas of space, landscape, and time within each artwork.
Jonathan Chapline renderings of object-hood are pushed even further by digitally designing and modeling sculptures, then producing them alongside his paintings like props that mirror the flatness and compressed moments by bringing them to life. His sculptures then are displayed next to his paintings to emphasize their conceptual and physical relationship. Chapline’s cross referencing from depictions of depth and vastness to shallow and flat, make for some hyper seductive and illusive spaces. His use of color adds to this dreamlike atmosphere by mimicking TV and video game saturations. The physical and digital flushes of tenacious imagery fit together like a haunting weaving of reality and fiction.
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