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The artist had a totally original perception of landscape. He successfully synthesizes seemingly incongruent aspects into a singularly distinctive style: a style, which is at once mysterious, primitive, disciplined, moody and nostalgic. He captures the grandeur of simplicity of the American countryside, and represents these glimpses of the American scene with a direct lyric ardor. His landscapes are remarkable for their suggestion of distances, landmasses and weather moods. The artist is constantly and everlastingly overwhelmed at the stupendous infinity of Nature. Wherever he turns and looks, there I see creation. Art is creating. Art is the search for truth.
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In the squeegee technique, the use of oil paint is most common. Oil paint is based on hardened oils, in most cases, linseed oil. Oil paints have ratings for lightfastness and opacity. The thickness of such paint is a little bit higher than that of toothpaste. One reason why oil paint is so well suited for this painting technique is that the drying time is longer than acrylic paint. This means that even large formats can be squeezed without having to rush the process. Acrylic paint, in its basic composition, is only sub optimally suitable for squeegee painting, as it usually begins to dry and harden within a few minutes. If you wish, you can extend its drying time by adding a drying retarder and binding medium. The resulting acrylic-based mixture can be used without almost in the same approach as oil-based color.
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Welcome! Presenting mid 20th century modern impressionist New York cityscape, Cityscape painting flourished after World War II, already appearing in the repertory of abstract expressionist painters, for example in “City landscape” by Joan Mitchell (1955, Art Institute of Chicago) or in some audacious pictorial experiments by Willem de Kooning. On the way to abstraction we find the figure of Piet Mondrian, who, after emigrating to the United States, created his original visions of New York City, among them the famous “Broadway Boogie Woogie” (1942-43, New York, MOMA) , which the painter Robert Motherwell described with these words: “The Modern City! Precise, rectangular, squared, whether seen from above, below, or on the side; bright lights and sterilized life; Broadway, whites and blacks; and boogie-woogie; the underground music of the at once resigned and rebellious”.
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NFT Masterclass Course - 1
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