Ocampo frequently revisits and makes reference to the art historical canon of political allegorists including Leon Golub, Géricault, Goya, Daumier with allusions to contemporary figures including political satirist R. Crumb Modernist painter Philip Guston. Ocampo’s dark, often disturbing Gothic paintings are attributed with transforming horror into exquisite beauty, history into art history, purgatory into salvation. One of his pieces featuring several swastikas was censored at the Dokumenta art show in Kassel, Germany.[2]
Manuel Ocampo has exhibited extensively throughout the 1990s, with solo exhibitions at galleries and institutions through Europe, Asia, and the Americas. In 2005, his work was the subject of a large-scale survey at Casa Asia in Barcelona, and Lieu d’Art Contemporain, Sigean, France.https://artsorigin.com/wp-content/uploads/2019/08/pexels-photo-8349168-e1631786264760-1.jpeg
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