The real objective of Brandon Boyd painting, he said, is “to let go into the process, and if something beautiful comes of it, that’s an amazing reward — like you’ve been given a gem from your expedition, but the search for the gem is not necessarily the point.”
Inside the circular structure, which is supported by lattice walls and wood rafters, jars of green and earth-toned acrylic paint surround a 45-by-20-inch canvas, spread across the hardwood floor.
“The amount of space afforded to me in this room has changed the way I paint, because it’s given me the chance to roll out unstretched canvases on the floor, sometimes in very large ways,” he said, applying wave-like strokes of white acrylic pen to the base color.https://artsorigin.com/wp-content/uploads/2019/07/pexels-photo-7319478-e1631859899265.jpeg
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