Tranquility – NFT
$152.00
For the artist, painting allows him to inhabit the clear green-blue waters of his summer memories. There is, in the pictures, a sense of serene tranquility, akin to the calm silence that presses at your ears when you plunge underwater to compete in a breath-holding contest. The paintings frequently represent summer, which is an escape or getaway for people, or mine is at least. A lot of my work is trying to shut everything else out – quieting the chatter and recreating these memories I have of the quiet, weightless feelings of being suspended in water. The work, with its interplay of light and color, is completely mesmerizing. The reflections and refracted light add an abstract quality to the work. Having the figure as a reference point allows me to focus on those abstractions that the reflections in the water provide. You discover how the two things react with one another – how the light bouncing off the skin mimics the ripples in the water.
For the artist, painting allows him to inhabit the clear green-blue waters of his summer memories. There is, in the pictures, a sense of serene tranquility, akin to the calm silence that presses at your ears when you plunge underwater to compete in a breath-holding contest. The paintings frequently represent summer, which is an escape or getaway for people, or mine is at least. A lot of my work is trying to shut everything else out – quieting the chatter and recreating these memories I have of the quiet, weightless feelings of being suspended in water. The work, with its interplay of light and color, is completely mesmerizing. The reflections and refracted light add an abstract quality to the work. Having the figure as a reference point allows me to focus on those abstractions that the reflections in the water provide. You discover how the two things react with one another – how the light bouncing off the skin mimics the ripples in the water.
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Texture in painting refers to the look and feel of the canvas. It is based on the paint, and its application, or the addition of materials such as ribbon, metal, wood, lace, leather and sand. The concept of “painterliness” also has bearing on texture. The texture stimulates two different senses: sight and touch. Actual texture is a combination of how the painting looks, and how it feels on being touched. It is associated both with the heavy buildup of paint, such as an impasto effect, or the addition of materials. Many artists around the world use different items and materials to create actual texture in their pieces, some create textured pieces to be touched and experienced, such as MD Weems. MD Weems uses homemade gesso to sculpt texture into her artwork. His textured artwork is then painted and sealed so that viewers can physically touch the artwork. The ability to touch the texture evokes multiple senses through sight and touch and allows for a deeper emotional feel. Textures Some textures include: rough, hard, liquid, solid, wet, bumpy, fuzzy, sticky, dusty, sharp, rough, gritty, soft, and lumpy.
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Swirling shapes, an array of colorful patterns… The path of a flowing river cutting through fields of lush vegetation… or maybe you see pure energy and cosmic flow? There is no right or wrong answer to this question. Abstract art is open to interpretation, and that is one of the beautiful things about it. Abstract art doesn’t jump out and declare, Instead, abstract art requires you to have an open, inquiring mind; you must enter the painting and see where it takes you. Abstract art gives you the freedom to explore the artwork and assign your own meaning to the piece. This intensely personal process enriches a viewer’s experience of an artwork. Understanding abstract art does not come naturally for everyone. It is the kind of art that makes some people scratch their heads and say, “My 5-year old could do that.” What people don’t realize is that the best abstract artists have excellent drawing skills, a finely honed sense of composition, and a deep understanding of the workings of color. Most abstract artists have the ability to draw a perfectly rendered rose or a realistic portrait, but they choose not to. Instead they choose to express their creativity by creating a visual experience that is more free and unencumbered by the weight of objects. Abstract art can also make people uneasy because they don’t automatically know what the art is “about” just by a cursory glance. Or they assume that because it doesn’t look like anything, then it is not “about ” anything. Abstract art doesn’t contain recognizable objects, so there is nothing to grasp or hold onto. This can be very confusing, even threatening, to some who are not used to assigning their own meaning to what they see before them. The truth is, abstract art is not “about nothing”. At its basis, it is about form, color, line, texture, pattern, composition and process. These are the formal qualities of artwork, because they describe what the art looks like and how it is created. Abstract art is an exploration of these formal qualities. Meaning is derived from how these formal qualities are used to create a visual (and/or visceral, cerebral, emotional, etc) experience.
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These late water lily pictures combine Impressionism with Expressionism in almost equal measure, and verge on abstract art, as the artist’s attempt to capture the constantly changing natural light and colour ends up dissolving all spatial cues. As he mingles water and sky, Monet creates a peaceful meditation within a flowering, watery surround. His focus on painting as a surface covered with paint, was taken up later after World War II, by practitioners of American Expressionism, notably Jackson Pollock (1912-56).
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The figure with one leg coming from back to rest on her head, while the other bends forward from the shoulder, appears like a cat on the prowl. Her body is supple and flawless, like beautiful poetry in motion. In its bends, the bottled-up love and desires emote a new musical note, wherever it twines. While she waits there with the unflinching balance of a strong masculine determination, it is difficult to tell a witch from a woman, a painting from a sculpture-the grotesque image wonderfully blurs the lines. Boy! The face is bittersweet yet sensual. And when desires run amok on her face, she appears like beauty personified, a goddess from heaven, waiting in earnest for her man, while at other times, she appears like a witch, ready to pounce on her man. Is it smoke that is rising up from her feet, or her hair, cascading like a waterfall, it is difficult to tell! Set in shades of crimson, the frozen image combines painting, sculpture, bas-relief, and trompe l’oeil, such visuals are rare where influences of Italian cinemas and sci-fi horror novels meet at the same time and successfully transform a realistic image into a beautiful painting. The distorted figure depicts an artist’s reflection of hypothetical situations and theatrical settings that ache of a range of emotions and desires which are a mix of sweet, mysterious, ghastly, realistic, sensual, and sublime.
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