The POP! – NFT
$152.00
Art Series you might think these would be POP! figures based on Mickey Mouse but you’d be wrong. Instead, these are various pop culture characters like Batman, Jack Skellington, and Scooby-Doo given a unique paint finish. I’m really not sure why Pop art -final didn’t just keep these in their respective POP! lines since they already do lots of paint variants and stuff but it is what it is, right? I’m actually kind of glad that He-Man and Skeletor made it into this line. I have no idea when or where He-Man is supposed to be released (he hasn’t come out already, has he?) We’ve seen this sculpt before multiple times but the look here is very different as Skeletor is all purple with what I’d consider a marbleized paint scheme. It almost looks like a weird purple and black camouflage, like what you’d wear if you were trying to sneak into Snake Mountain I guess. It’s kind of cool though the black streaks could stand to be a bit darker like on the package.
Art Series you might think these would be POP! figures based on Mickey Mouse but you’d be wrong. Instead, these are various pop culture characters like Batman, Jack Skellington, and Scooby-Doo given a unique paint finish. I’m really not sure why Pop art -final didn’t just keep these in their respective POP! lines since they already do lots of paint variants and stuff but it is what it is, right? I’m actually kind of glad that He-Man and Skeletor made it into this line. I have no idea when or where He-Man is supposed to be released (he hasn’t come out already, has he?) We’ve seen this sculpt before multiple times but the look here is very different as Skeletor is all purple with what I’d consider a marbleized paint scheme. It almost looks like a weird purple and black camouflage, like what you’d wear if you were trying to sneak into Snake Mountain I guess. It’s kind of cool though the black streaks could stand to be a bit darker like on the package.
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Texture in painting refers to the look and feel of the canvas. It is based on the paint, and its application, or the addition of materials such as ribbon, metal, wood, lace, leather and sand. The concept of “painterliness” also has bearing on texture. The texture stimulates two different senses: sight and touch. Actual texture is a combination of how the painting looks, and how it feels on being touched. It is associated both with the heavy buildup of paint, such as an impasto effect, or the addition of materials. Many artists around the world use different items and materials to create actual texture in their pieces, some create textured pieces to be touched and experienced, such as MD Weems. MD Weems uses homemade gesso to sculpt texture into her artwork. His textured artwork is then painted and sealed so that viewers can physically touch the artwork. The ability to touch the texture evokes multiple senses through sight and touch and allows for a deeper emotional feel. Textures Some textures include: rough, hard, liquid, solid, wet, bumpy, fuzzy, sticky, dusty, sharp, rough, gritty, soft, and lumpy.
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The Blurred Lines of Impressionism. The hazy scene of Impression, strayed from traditional landscape painting and classic, idealized beauty. The artist meant to express “other beliefs about artistic quality which might be tied to the ideologies being consolidated by the emergent bourgeoisie from which he came. “Loose brush strokes meant to suggest the scene rather than to mimetically represent it demonstrate the emergent Impressionist movement. In the wake of an emergent industrialization in France, this style expressed innovative individuality. Impressionism is taking the visual interpretation, or impression, of a specific moment in time. In art, this is done by emphasizing light, color, and shadow. Instead of painting clear lines, the artist uses blurry brush strokes to blend colors, giving us the feeling of walking through a tunnel of trees, rather than clearly painting a realistic image. He paints an impression and leaves the interpretation up to us.
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Welcome! Presenting mid 20th century modern impressionist New York cityscape, Cityscape painting flourished after World War II, already appearing in the repertory of abstract expressionist painters, for example in “City landscape” by Joan Mitchell (1955, Art Institute of Chicago) or in some audacious pictorial experiments by Willem de Kooning. On the way to abstraction we find the figure of Piet Mondrian, who, after emigrating to the United States, created his original visions of New York City, among them the famous “Broadway Boogie Woogie” (1942-43, New York, MOMA) , which the painter Robert Motherwell described with these words: “The Modern City! Precise, rectangular, squared, whether seen from above, below, or on the side; bright lights and sterilized life; Broadway, whites and blacks; and boogie-woogie; the underground music of the at once resigned and rebellious”.
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These late water lily pictures combine Impressionism with Expressionism in almost equal measure, and verge on abstract art, as the artist’s attempt to capture the constantly changing natural light and colour ends up dissolving all spatial cues. As he mingles water and sky, Monet creates a peaceful meditation within a flowering, watery surround. His focus on painting as a surface covered with paint, was taken up later after World War II, by practitioners of American Expressionism, notably Jackson Pollock (1912-56).
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NFT Masterclass Course - 1
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