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The term ‘bokeh’ comes from the Japanese word, ‘boke’, which means ‘haze’ or ‘blur’. The word has come to be widely associated with the aesthetic quality of out-of-focus blur in a piece of art. Blurring is a nifty effect in painting. It can make the painted image look as if it’s like a fast-motion photograph and imply rapid movement. A computer-generated simulacrum of reflections from the silicon dioxide found in insects’ shells. The compound is a prime ingredient of window glass and fibre-optic cable; a semi-conductor, it’s also a mainstay of computer chips. The article accompanying the source photo described research being conducted into structural colours – that is, colours that result from surface textures that refract, rather than contain, pigment. What seems, at first glance, an op art abstraction thus turns out, when unpacked, to contain an entire disquisition on the meshing of the “natural” world (insects) with its synthetic reproductions both inherent (shell-reflections) and exterior (scientific visual modelling); on the surfaces through which we look (windows) and vectors along which we relay or broadcast information (cables); on digital technology; and on colour and its spectrum – which, of course, means both on painting and on light itself, the very ground and possibility of vision.
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In the squeegee technique, the use of oil paint is most common. Oil paint is based on hardened oils, in most cases, linseed oil. Oil paints have ratings for lightfastness and opacity. The thickness of such paint is a little bit higher than that of toothpaste. One reason why oil paint is so well suited for this painting technique is that the drying time is longer than acrylic paint. This means that even large formats can be squeezed without having to rush the process. Acrylic paint, in its basic composition, is only sub optimally suitable for squeegee painting, as it usually begins to dry and harden within a few minutes. If you wish, you can extend its drying time by adding a drying retarder and binding medium. The resulting acrylic-based mixture can be used without almost in the same approach as oil-based color.
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ArtsOrigin Anime
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Unreal motion.
Real emotion.
Magic connection.
Like animation.
—From upcoming ArtsOrigin Book (Art+Poetry)
NFT certificate of authenticity
Artist name — Zvi Bolimovsk
year of completion — 2022
Name — ArtsOrigin Anime
Date it of creation — Feb 22
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Texture in painting refers to the look and feel of the canvas. It is based on the paint, and its application, or the addition of materials such as ribbon, metal, wood, lace, leather and sand. The concept of “painterliness” also has bearing on texture. The texture stimulates two different senses: sight and touch. Actual texture is a combination of how the painting looks, and how it feels on being touched. It is associated both with the heavy buildup of paint, such as an impasto effect, or the addition of materials. Many artists around the world use different items and materials to create actual texture in their pieces, some create textured pieces to be touched and experienced, such as MD Weems. MD Weems uses homemade gesso to sculpt texture into her artwork. His textured artwork is then painted and sealed so that viewers can physically touch the artwork. The ability to touch the texture evokes multiple senses through sight and touch and allows for a deeper emotional feel. Textures Some textures include: rough, hard, liquid, solid, wet, bumpy, fuzzy, sticky, dusty, sharp, rough, gritty, soft, and lumpy.
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