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About the paint: an acrylic paint that has been milled to have the body and texture of fine oils. Intensely pigmented, these colors are extraordinarily light fast and completely resistant to aging. This combined with mixed media and texture painting techniques make a wonderful piece of art for any collection. Entire painting is sealed twice for protection and a light shine. Guaranteed not to shrink, oxidize, yellow, or crack. Sand/Mud Sand mixed with paint gives a grainy feel and can be great for beach scenes and middle-ground areas as it creates a fairly subtle texture. Mud is lumpier and when mixed with paint or glue, creates thick areas of texture. I like mud because it is unpredictable – you can’t be too precise with it. Using materials you have collected from places you’ve visited gives paintings a direct connection with that place and with nature. Make sure to apply a layer or two of sealant (gesso or acrylic primer) over the sand or mud before you start your painting.
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Move your body before stretching, because you don’t want to start out with cold muscles. You can run laps, do jumping jacks, or even run in place — anything to get your blood pumping and your muscles warmed up. Torso Stretch the stomach with a bridge or backbend. You also need to stretch the sides of the body, either with a side stretch on the floor or from a standing position with arms overhead, leaning over to one side and then the other.
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The figure with one leg coming from back to rest on her head, while the other bends forward from the shoulder, appears like a cat on the prowl. Her body is supple and flawless, like beautiful poetry in motion. In its bends, the bottled-up love and desires emote a new musical note, wherever it twines. While she waits there with the unflinching balance of a strong masculine determination, it is difficult to tell a witch from a woman, a painting from a sculpture-the grotesque image wonderfully blurs the lines. Boy! The face is bittersweet yet sensual. And when desires run amok on her face, she appears like beauty personified, a goddess from heaven, waiting in earnest for her man, while at other times, she appears like a witch, ready to pounce on her man. Is it smoke that is rising up from her feet, or her hair, cascading like a waterfall, it is difficult to tell! Set in shades of crimson, the frozen image combines painting, sculpture, bas-relief, and trompe l’oeil, such visuals are rare where influences of Italian cinemas and sci-fi horror novels meet at the same time and successfully transform a realistic image into a beautiful painting. The distorted figure depicts an artist’s reflection of hypothetical situations and theatrical settings that ache of a range of emotions and desires which are a mix of sweet, mysterious, ghastly, realistic, sensual, and sublime.
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The term ‘bokeh’ comes from the Japanese word, ‘boke’, which means ‘haze’ or ‘blur’. The word has come to be widely associated with the aesthetic quality of out-of-focus blur in a piece of art. Blurring is a nifty effect in painting. It can make the painted image look as if it’s like a fast-motion photograph and imply rapid movement. A computer-generated simulacrum of reflections from the silicon dioxide found in insects’ shells. The compound is a prime ingredient of window glass and fibre-optic cable; a semi-conductor, it’s also a mainstay of computer chips. The article accompanying the source photo described research being conducted into structural colours – that is, colours that result from surface textures that refract, rather than contain, pigment. What seems, at first glance, an op art abstraction thus turns out, when unpacked, to contain an entire disquisition on the meshing of the “natural” world (insects) with its synthetic reproductions both inherent (shell-reflections) and exterior (scientific visual modelling); on the surfaces through which we look (windows) and vectors along which we relay or broadcast information (cables); on digital technology; and on colour and its spectrum – which, of course, means both on painting and on light itself, the very ground and possibility of vision.
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NFT Masterclass Course - 1
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