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Swirling shapes, an array of colorful patterns… The path of a flowing river cutting through fields of lush vegetation… or maybe you see pure energy and cosmic flow? There is no right or wrong answer to this question. Abstract art is open to interpretation, and that is one of the beautiful things about it. Abstract art doesn’t jump out and declare, Instead, abstract art requires you to have an open, inquiring mind; you must enter the painting and see where it takes you. Abstract art gives you the freedom to explore the artwork and assign your own meaning to the piece. This intensely personal process enriches a viewer’s experience of an artwork. Understanding abstract art does not come naturally for everyone. It is the kind of art that makes some people scratch their heads and say, “My 5-year old could do that.” What people don’t realize is that the best abstract artists have excellent drawing skills, a finely honed sense of composition, and a deep understanding of the workings of color. Most abstract artists have the ability to draw a perfectly rendered rose or a realistic portrait, but they choose not to. Instead they choose to express their creativity by creating a visual experience that is more free and unencumbered by the weight of objects. Abstract art can also make people uneasy because they don’t automatically know what the art is “about” just by a cursory glance. Or they assume that because it doesn’t look like anything, then it is not “about ” anything. Abstract art doesn’t contain recognizable objects, so there is nothing to grasp or hold onto. This can be very confusing, even threatening, to some who are not used to assigning their own meaning to what they see before them. The truth is, abstract art is not “about nothing”. At its basis, it is about form, color, line, texture, pattern, composition and process. These are the formal qualities of artwork, because they describe what the art looks like and how it is created. Abstract art is an exploration of these formal qualities. Meaning is derived from how these formal qualities are used to create a visual (and/or visceral, cerebral, emotional, etc) experience.
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The figure with one leg coming from back to rest on her head, while the other bends forward from the shoulder, appears like a cat on the prowl. Her body is supple and flawless, like beautiful poetry in motion. In its bends, the bottled-up love and desires emote a new musical note, wherever it twines. While she waits there with the unflinching balance of a strong masculine determination, it is difficult to tell a witch from a woman, a painting from a sculpture-the grotesque image wonderfully blurs the lines. Boy! The face is bittersweet yet sensual. And when desires run amok on her face, she appears like beauty personified, a goddess from heaven, waiting in earnest for her man, while at other times, she appears like a witch, ready to pounce on her man. Is it smoke that is rising up from her feet, or her hair, cascading like a waterfall, it is difficult to tell! Set in shades of crimson, the frozen image combines painting, sculpture, bas-relief, and trompe l’oeil, such visuals are rare where influences of Italian cinemas and sci-fi horror novels meet at the same time and successfully transform a realistic image into a beautiful painting. The distorted figure depicts an artist’s reflection of hypothetical situations and theatrical settings that ache of a range of emotions and desires which are a mix of sweet, mysterious, ghastly, realistic, sensual, and sublime.
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The artist had a totally original perception of landscape. He successfully synthesizes seemingly incongruent aspects into a singularly distinctive style: a style, which is at once mysterious, primitive, disciplined, moody and nostalgic. He captures the grandeur of simplicity of the American countryside, and represents these glimpses of the American scene with a direct lyric ardor. His landscapes are remarkable for their suggestion of distances, landmasses and weather moods. The artist is constantly and everlastingly overwhelmed at the stupendous infinity of Nature. Wherever he turns and looks, there I see creation. Art is creating. Art is the search for truth.
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The Blurred Lines of Impressionism. The hazy scene of Impression, strayed from traditional landscape painting and classic, idealized beauty. The artist meant to express “other beliefs about artistic quality which might be tied to the ideologies being consolidated by the emergent bourgeoisie from which he came. “Loose brush strokes meant to suggest the scene rather than to mimetically represent it demonstrate the emergent Impressionist movement. In the wake of an emergent industrialization in France, this style expressed innovative individuality. Impressionism is taking the visual interpretation, or impression, of a specific moment in time. In art, this is done by emphasizing light, color, and shadow. Instead of painting clear lines, the artist uses blurry brush strokes to blend colors, giving us the feeling of walking through a tunnel of trees, rather than clearly painting a realistic image. He paints an impression and leaves the interpretation up to us.
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