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 Ms. Danneberg, an Austrian, works with a mix of gouache, inkjet printing, paint primer and solvent, vinyl, canvas and glue to create texturally unique tableaus.  A quick look at the work of Mr. Zhegrova, a Pristina-born journalism-school dropout, might reveal floppy fabric sculptures lying in a corner as if they were too exhausted to go on, cartoony rabbit masks or thrillingly stylized videos that he calls visual poems. The gallery was founded three years ago by Isabella Ritter and Katharina Schendl.
In her practice Tatjana Danneberg investigates signs, symbols, and questions about integrity – in a general sense, but also in terms of the uniqueness and validity of an artwork itself: how can it construct an illusion, where is the gap between imitation, fake and “original”, and how can the relation between imagination and reality be dis- played? In this vein she examines surfaces with a speci c interest in the very moment when a surface fails to show an intact image or form.
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