Anime NFT – 11

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  Anime NFT – 7

  $150.00

  ArtsOrigin Anime

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  Unreal motion.

  Real emotion.

  Magic connection.

  Like animation.

  —From upcoming ArtsOrigin Book (Art+Poetry)

   

  NFT certificate of authenticity

  Artist name — Zvi Bolimovsk

  year of completion — 2022

  Name — ArtsOrigin Anime

  Date it of creation — Feb 22

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  Water Lilies – NFT

  $140.00

  These late water lily pictures combine Impressionism with Expressionism in almost equal measure, and verge on abstract art, as the artist’s attempt to capture the constantly changing natural light and colour ends up dissolving all spatial cues. As he mingles water and sky, Monet creates a peaceful meditation within a flowering, watery surround. His focus on painting as a surface covered with paint, was taken up later after World War II, by practitioners of American Expressionism, notably Jackson Pollock (1912-56).

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  ArtsOrigin Anime – 9

  $143.90

  ArtsOrigin Anime

  ————————————-

  Unreal motion.

  Real emotion.

  Magic connection.

  Like animation.

  —From upcoming ArtsOrigin Book (Art+Poetry)

   

  NFT certificate of authenticity

  Artist name — Zvi Bolimovsk

  year of completion — 2022

  Name — ArtsOrigin Anime

  Date it of creation — Feb 22

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  Softly blurred touch – NFT

  $140.00

  The term ‘bokeh’ comes from the Japanese word, ‘boke’, which means ‘haze’ or ‘blur’. The word has come to be widely associated with the aesthetic quality of out-of-focus blur in a piece of art. Blurring is a nifty effect in painting. It can make the painted image look as if it’s like a fast-motion photograph and imply rapid movement. A computer-generated simulacrum of reflections from the silicon dioxide found in insects’ shells. The compound is a prime ingredient of window glass and fibre-optic cable; a semi-conductor, it’s also a mainstay of computer chips. The article accompanying the source photo described research being conducted into structural colours – that is, colours that result from surface textures that refract, rather than contain, pigment. What seems, at first glance, an op art abstraction thus turns out, when unpacked, to contain an entire disquisition on the meshing of the “natural” world (insects) with its synthetic reproductions both inherent (shell-reflections) and exterior (scientific visual modelling); on the surfaces through which we look (windows) and vectors along which we relay or broadcast information (cables); on digital technology; and on colour and its spectrum – which, of course, means both on painting and on light itself, the very ground and possibility of vision.

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